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Ella Fitzgerald: A Biography Of The First Lady Of Jazz, by Stuart Nicholson
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The life of the very private and media-shy Ella Fitzgerald has long been shrouded in a mixture of half-truths and fiction. What emerges in Stuart Nicholson's groundbreaking biography is a remarkable story of a poor black girl's determination to realize the American Dream in the face of racial and sexual prejudice. She succeeded, and is now the definition of "jazz singer" to millions, one of the greatest of all jazz musicians. In this fullest account ever of her life, Nicholson draws on fresh research and interviews with Ella's friends and colleagues. Supplemented by Phil Schaap's authoritative discography, Ella Fitzgerald is a rich and revealing portrait of one of the most popular American singers in history.
- Sales Rank: #313046 in Books
- Published on: 1995-08-22
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .92" w x 6.00" l, 1.11 pounds
- Binding: Paperback
- 368 pages
Amazon.com Review
Ella Fitzgerald, who died in 1996, came from a poverty-stricken background. She was abandoned by her father, possibly abused by her stepfather and lived on the streets as a teenager. As a club singer she had to contend with racism, sexism and advances from predatory men. But in the 1950s, just when Billie Holiday, from a similar background, was falling toward drug addiction and a sordid death, Fitzgerald escaped the seeming inevitability of that fate. Her songbook albums relaunched her career in a new direction, and she became a beloved figure in American jazz, known for her musical precision and luminous clarity. This biography offers an assessment of the emotional strength apparent in both her life and music.
From Publishers Weekly
For his exhaustive biography, Nicholson ( Jazz: The Modern Resurgence ) draws on written accounts of the legendary singer and on interviews with her childhood friends and musicians who have worked with her; he was unable to arrange to talk with Fitzgerald herself. The result is a thorough, dispassionate account of a career that began in 1935 when, at age 17, the singer first appeared in New York City's Apollo Theater and the Harlem Opera House. Nicholson shows how Fitzgerald was advanced by Milt Gabler at Decca and by promoter Norman Granz; he follows the grueling schedule to which she subjected herself and provides lucid analyses of her style and place in the history of jazz and 20th-century popular music. Although there are accounts here of her continuously unhappy love life, Fitzgerald's personality remains obscure, possibly a reflection of a performer to whom nothing other than singing seems to really matter. Discography by Phil Schaap. Photos not seen by PW.
Copyright 1994 Reed Business Information, Inc.
From Library Journal
Ella Fitzgerald's hit song "A-Tisket, A-Tasket" grabbed national attention in 1938, and over the next three decades she won much popular and critical acclaim. Born in poverty, she rose to perform at Carnegie Hall, becoming wealthy and well liked. Nicholson discusses Fitzgerald's musical influences, places her in the context of swing and bebop, and discusses her career highlights, including the Songbook albums. But he also bemoans the many silly songs she recorded to achieve wide sales and discusses her lack of depth compared with Billie Holiday. A 61-page discography by jazz historian Phil Schaap is said to include previously unknown recordings. Although this biography joins at least four others (some in German), it seems well researched and is recommended for general collections.
Paul Baker, Wisconson Ctr. for Education Research, Madison
Copyright 1994 Reed Business Information, Inc.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Ella the Greatest
By Vincent A. Vetrano
A wonderful story of the greatest, sweetest, most modest, uncomplicated female singer ever. Respected and admired by her musicians and most especially by Frank Sinatra, a legend who adored her.
9 of 9 people found the following review helpful.
Enjoyable, enlightening, thoroughly researched.
By Artist
I'd have given this book 4 1/2 stars given the option. The only reason I didn't give it 5 is that it gets somewhat dry towards the end, but I blame my attention span for some of that. It's full of fascinating stories, tidbits and opinions from musicians, producers, friends and agents who worked with Ella. You'll come away from the book with a new understanding of Ella the person and Ella the musician. You'll learn much about the times and the musicians who created the story of popular music and jazz in America. You'll also have a fascinating guide to her recorded music, the whys and the hows of it, the circumstances that made it wonderful or less than great. I recommend this book!
13 of 17 people found the following review helpful.
Every step in recording studio and no other informations
By Sasha
I read this book in for the first time in 1996. and now, second time around, still have the same feeling - Stuart Nicholson had obviously find easier to trace every step Ella Fitzgerald ever made in recording studio,than what she thought,felt and reasons behind her behaviour."A model in research and musical insight?" There is a year-by-year recording dates discography but not one single interview or even quotte!!Yes,Ella was a wonderful,gifted singer,but what eventually came out of this book (between the lines,if you bother to read) is that she was easily and ruthlessly pushed around by Norman Granz (manager) and made him a millionaire,toured 365 days in the year so Granz could collect Picasso paintings & move to Switzerland and that same Granz didnt have understanding for her,making a scene when she couldnt perform as her sister had just died (Duke Ellington stepped to protect her and got a slap on HIS nose instead).If Stuart Nicholson didnt have acces to do interview with Fitzgerald herself or at least some of her close friends,I wonder why did he bother to writte a book at all (just to dig some dirt & discover that she was - maybe?- a victim a child abuse,something that she kept behind her and didnt want to discuss,which we should understand and respect).No matter how appealing singer Ella was,I find repulsive idea of this big woman being lead around by her manager as beast of burden.And they said Billie Holiday was a tragic figure - hey, Billie at least had a good time! At the end of 245 pages,I find this book simply overrated - you can easily find Fitzgerald's discography in every jazz dictionary and perhaps as a subject of his book Nicholson should have consider Norman Granz instead.
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