Kamis, 30 Januari 2014

[O522.Ebook] Free Ebook Deep Water, by Patricia Highsmith

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Deep Water, by Patricia Highsmith

In Deep Water, set in the quiet, small town of Little Wesley, Patricia Highsmith has created a vicious and suspenseful tale of love gone sour.

Vic and Melinda Van Allen's loveless marriage is held together only by a precarious arrangement whereby, in order to avoid the messiness of divorce, Melinda is allowed to take any number of lovers as long as she does not desert her family. Eventually, Vic can no longer suppress his jealousy and tries to win back his wife by asserting himself through a tall tale of murder―one that soon comes true. In this complex portrayal of a dangerous psychosis emerging in the most unlikely of places, Highsmith examines the chilling reality behind the idyllic facade of American suburban life.

  • Sales Rank: #830368 in Books
  • Brand: Highsmith, Patricia
  • Published on: 2003-07-17
  • Released on: 2003-07-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.30" h x .80" w x 5.60" l, .53 pounds
  • Binding: Paperback
  • 272 pages

Review
"An atmosphere of nameless dread, of unspeakable foreboding, permeates every page of Patricia Highsmith, and there's nothing quite like it."

An atmosphere of nameless dread, of unspeakable foreboding, permeates every page of Patricia Highsmith, and there's nothing quite like it. "

The things that are suspenseful, that I find frightening, aren't someone jumping out of a closet or those kind of big scares, but instead that slow build of dread, and [Highsmith] does that really well. She kind of takes you by the hand and walks you toward the cliff. --Gillian Flynn"

About the Author
Patricia Highsmith (1921–1995) was the author of more than twenty novels, including Strangers on a Train, The Price of Salt, The Blunderer and The Talented Mr. Ripley, as well as numerous short stories.

Most helpful customer reviews

35 of 36 people found the following review helpful.
The pages turn very fast indeed....
By Debra Hamel
Thirty-six-year-old Victor Van Allen is being cuckolded, quite blatantly. For a number of years his wife Melinda has paraded a succession of lovers around their small town of Little Wesley, Massachusetts, dragging the men along to the Van Allens' dinner engagements with friends, dancing with them provocatively, entertaining them in night-long debauches in the Van Allens' home. Victor's friends shake their heads or offer him extra desserts at parties--pity food--and they marvel at his reaction to the insult: Victor is a paragon of patience. He allows Melinda her lovers, only wishing that she attracted a higher quality paramour. Still, Victor is not as unconcerned about Melinda's behavior as he appears. He regularly forces himself to stay awake and chaperone his wife's "dates" in their living room rather than please the couple by retiring to his separate bedroom. And, near the beginning of the novel, Victor announces to his wife's most recent flame that he once killed a lover of hers, a certain Malcolm McRae. Victor is lying, but McRae *had* been pummeled to death in his New York apartment, and his murderer had not been identified.

This being a Patricia Highsmith novel, it cannot be a good thing for our put-upon protagonist to confess to a murder he did not commit, and the reader begins at once to wonder how this misstep of Victor's will lead to his undoing. But it is unlikely that readers will correctly anticipate precisely how Victor's story plays itself out.

Patricia Highsmith--the author of, among many other novels, Strangers on a Train and The Talented Mister Ripley--is a master of suspense. Deep Water shares with her other books a certain remarkable slowness. Highsmith's characters unhurriedly attend to the minutiae of their lives. They entertain friends and admire artwork and do the gardening, they take drives and prepare supper. Very often it seems that nothing is happening in one of her books, and yet as the pages turn the reader becomes more and more tense, wondering when precisely the axe will fall--for it certainly will fall. By the end of Deep Water the pages turn very fast indeed.

[Deep Water also shares with some of Highsmith's other novels (Found in the Street) a bizarre vision of parenthood. The Van Allens have a highly disposable daughter, perhaps eight years old, who spends her days in other people's homes, or playing contentedly by herself in her own room. She is sometimes left alone in the house. She is abandoned at the movies when her mother forgets to pick her up. Meanwhile the Van Allens' social calendar is chock full of late-night dinner parties and those uncomfortable threesomes in the living room. Part of this abuse of the daughter has to do with the storyline: Melinda is intended to be a very poor mother. But Victor, the "good" parent, leaves the house for those parties just as often as his wife does.]

Reviewed by Debra Hamel, author of Trying Neaira: The True Story of a Courtesan's Scandalous Life in Ancient Greece

22 of 22 people found the following review helpful.
At last . . .
By A Customer
I'm happy that this -- one of Patricia Highsmith's finest novels -- is back in print, because it deserves to be read.
The set-up is that Vic and Melinda are unhappily married, but rather than divorce, since they have a daughter, he lets her go off and have affairs (this seems quite an interesting concept to have proposed in 1957, when this book came out) -- and you'd think that surely, a little jealousy might come in on his part, right? Right. . . . And from here, it goes off in some interesting directions. I really didn't expect the ending. And now that it's finally available, go ahead and get it! You're missing a great novel otherwise.

14 of 15 people found the following review helpful.
Special
By A Customer
This is a story about the complicated and very obscure structures of social life in the suburbia of New York. It's the story of the quite nice guy who becomes a murderer. The most remarkable thing in my opinion is the fact that you, as the reader, identify yourself with Vic Van Allen, the evil one, the murderer. You can understand him and his acting, you get the feeling that he is the betrayed one, the victim, but in fact he is the bad one, he is a murderer! That's very special.

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Rabu, 29 Januari 2014

[M851.Ebook] Get Free Ebook Swiss Graphic Design: The Origins and Growth of an International Style, 1920-1965, by Richard Hollis

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Swiss Graphic Design: The Origins and Growth of an International Style, 1920-1965, by Richard Hollis

Swiss graphic design and “the Swiss Style” are crucial elements in the history of modernism. During the 1920s and ’30s, skills traditionally associated with Swiss industry, particularly pharmaceuticals and mechanical engineering, were matched by those of the country’s graphic designers, who produced their advertising and technical literature. These pioneering graphic artists saw design as part of industrial production and searched for anonymous, objective visual communication. They chose photographic images rather than illustration, and typefaces that were industrial-looking rather than those designed for books.Written by noted design authority Richard Hollis, this lavishly illustrated volume looks at the uniquely clear graphic language developed by such Swiss designers as Theo Ballmer, Max Bill, Adrian Frutiger, Karl Gerstner, Armin Hoffman, Ernst Keller, Herbert Matter, Josef Müller-Brockmann, and Jan Tschichold. The style of these artists received worldwide admiration for its formal discipline: images and text were organized by geometrical grids. Adopted internationally, the grid and sans serif typefaces such as Helvetica became the classic emblems of Swiss graphic design.Showcasing design work across a range of media, including posters, magazines, exhibition displays, brochures, advertisements, books, and film, this essential book shows how many of the Swiss designers’ modernist elements remain an indispensable part of today’s graphic language.

  • Sales Rank: #1150461 in Books
  • Published on: 2006-04-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.10" h x 8.60" w x 10.90" l, 3.13 pounds
  • Binding: Hardcover
  • 272 pages

About the Author
Richard Hollis is a graphic designer and scholar of design. His previous books include Graphic Design: A Concise History (2002).

Most helpful customer reviews

16 of 18 people found the following review helpful.
Tineline confusion
By KenH
Hollis's book, while extensive in its documentation and admirable in its visual organization of the Swiss developments, comes to several conclusions which should be questioned. The first is the disproportionate and misguided prominence afforded Theo Ballmer as a prime influence stemming from his experience at the Bauhaus. Whatever Ballmer's influence as a poster designer in the 20s was, he had gotten his essential training in the Basel school, which underwent its own ongoing and largely independent modernist development, prior to Ballmer's very brief time at the Bauhaus. The Bauhaus influence is deemed minor by the emerging Basel school, and Ballmer's later influence in teaching photography and lettering has to be considered a lesser one.

Significant also is the confusion in reporting influences in development of the cutting edge Geigy Pharmaceuticals graphics program where the influences of Armin Hofmann and Emil Ruder as educators of the leading Geigy designers are missing. While this is inferred on page 162 in the statement that "the Geigy style originated in the teaching at the Allgemeine Gewerbeschule," the key influences in Basel--Hofmann and Ruder--are not mentioned.

Similarly, Hollis attributes Müller-Brockman's "conversion" to the influences of Lohse and Vivarelli, the evidence being the concert hall posters of 1951 and 52. While this is definitely a move in that direction from an earlier illustrative style, the most convincing change, and the style by which Müller-Brockman is widely known, emerged on the hiring of graduates of the Basel school under Armin Hofmann in 1955. This means that Hofmann and Ruder pre-date Müller-Brockman's mature style instead of being placed as p. 214 as a separate and later development--and not as a precursor feeding the larger Swiss development from a more humanistic perspective than the more constructivist direction of the Zürich school. One can argue about which contributed most to the international prominence of Swiss design, but Hollis's own statement p. 215 regarding the world-wide significance of Hofmann's Graphic Design Manual, Principles and Practice, on education is telling. Müller-Brockman's more objective approach was probably more influential in the world of corporate graphics.

Hollis betrays a bias, perhaps, in his strange analysis of Hofmann's Tell poster and omits such key poster achievements as the "Switzerland in the Roman Era" (1957). It is unfortunate that Hollis did not interview Armin and Dorothea Hofmann. They are few of the remaining key figures from the era of Hollis's investigation.

5 of 5 people found the following review helpful.
To go boldly with Helvetica
By Robin
The 'Swiss style' comes alive in this fascinating and very comprehensive study. If you design for print and ever wondered how some everyday graphic principles and typefaces originated the answer is in these pages. The story begins in twenties central Europe with a merging of modern art, the Bauhaus, Russian constructivism, craft printing techniques, photography and strong cultural attitudes in German speaking Zurich. All of these influences produced a graphic language of simplicity and directness that spread across Switzerland and one would expect nothing less from a country associated with order and precision.

Interesting as the text is I was particularly impressed with the several hundred illustrations (all with extensive captions) and as this is a book about a visual style and basically a printed one the choice of posters, examples of typography and many spreads from brochures, magazines, books all work well to complement the words.

I was interested in the several pages devoted to the magazine 'Neue Grafik' (New Graphic Design) which was the flagship publication of the Zurich modernists. It only ran for seventeen issues (from 1958 to a double issue seventeen and eighteen in 1965) but was really the only opportunity for designers outside Switzerland to see what was going on. Strangely, despite the design aiming for clarity, reading the issues was a bit of a chore. Three languages were set in each edition in one typeface and one size with paragraphs stretching sometimes to hundreds of words with no par indents or line space. However each spread looked fresh and lively thanks to the publication's grid.

I think it is worth commenting on the book's production. Designed by the author it uses a two column grid but nicely many pages just have one column of text and the space for the other text column is divided into two and used for illustrations and captions. The many variations of these column elements really make the pages sparkle and I think many publication designers could learn something by studying how the text and graphics blend together throughout the book.

Richard Hollis is to be congratulated on writing and designing a book that will surely be regarded as the definitive study about the origins of the Swiss Style.

***FOR AN INSIDE LOOK click 'customer images' under the cover.

2 of 2 people found the following review helpful.
Un libro recomendable para amantes del diseño gráfico
By Juanjo Rogado Albert
Una magnífica edición. Muchas imágenes, alguna un poco pequeña - para el tipo de imagen, se echa en falta quizá alguna imagen de detalle o incluso un encarte -, pero en líneas generales muy buena selección, y cantidad de imágenes.

Los contenidos interesantes, por tratarse de una generación histórica en el diseño gráfico universal. Es un libro muy recomendable.

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Minggu, 26 Januari 2014

[O203.Ebook] Free PDF Innovation Management and New Product Development (2nd Edition), by Paul Trott

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Innovation Management and New Product Development (2nd Edition), by Paul Trott

Innovation Management is often treated as a series of separate specialisms, rather than an integrated task. The second edition of this book brings together innovation management and new product development, the role of intellectual property and the management of research and development. Particular emphasis is placed on the need to view innovation as a management process and a conceptual framework is introduced emphasizing the importance of internal processes and external linkages. Not only does the text examine how the heritage and knowledge base of an organization drive the development of business opportunities, but it also deals with the wide subject of technology management and how companies manage research and development.

  • Sales Rank: #11353531 in Books
  • Published on: 2004-08-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.75" h x 1.00" w x 7.50" l, 1.86 pounds
  • Binding: Paperback
  • 448 pages

From the Publisher
New to this edition: *four new chapters - E-commerce; Managing Intellectual Property; The Role of Market Research in New Product Development; Innovation and Operations Management and Innovation Policies *new case studies at the end of each chapter as well as increased coverage of: *electronic commerce *intellectual property *brand management and market research *the role of operations management and innovation management *entrepreneurship and the rapidly developing economy in Turkey Paul Trott is a Senior Lecturer at the Business School, University of Portsmouth and holds a Ph.D. from Cranfield University. He has written numerous reports and publications in the area of innovation management. Innovation Management and New Product Development is suitable for undergraduates studying Innovation management /New product development. It should also be of interest to undergraduates studying Technology Management as well as master's students studying Marketing or Product! Development.

From the Back Cover

Innovation Management and New Product Development is suitable for undergraduates studying innovation management/new product development. It should also be of interest to undergraduates studying technology management as well as masters students studying marketing or product development. The text brings together innovation management and new product development, the role of intellectual property and the management of research and development. Particular emphasis is placed on the need to view innovation as a management process.

About the Author

Paul Trott is Professor of Innovation Management at the Business School, University of Portsmouth and Professor of Innovation Management & Entrepreneurship at The Technical University of Delft, The Netherlands. He is the author of many articles and papers in the area of innovation management, and is co-author of the Penguin Business Dictionary.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Who Came Up With That
By Paul Hanrahan
I bought this book as a requirement for an MBA class titled "Management of Innovation/Technology." Beyond reading Paul Trott's Innovation Management and New Product Development to satisfy class requirements is my personal involvment in innovation and technology. Paul Trott's text helped me to understand the company I worked for many years ago and the role I have played since when consulting. Paul Trott provides a valuable perspective for anyone who is involved in research and development in a corporate, or for that matter, academic setting.

If you find yourself, due to pursuing a passion for some subject (computer virtualization in my case), in a position where you are helping to develop, market or finance something that will make customers ask themselves "Who came up with that neat ideat" then you should read Mr. Trott's book. Mr. Trott provides insight into the different types of innovation that companies engage in, the lifecycle of new products and how organizations use their intellectual and technological assets to their advantage as well as customers and even society at large.

0 of 0 people found the following review helpful.
I love it
By li zhi
good

0 of 1 people found the following review helpful.
Excellent purchase!
By Steve James
Very good purchase, exactly what I needed! Book in very good condition. Will look to purchase books for next term through Amazon.

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Jumat, 24 Januari 2014

[M555.Ebook] Download Ebook Geographic Information Systems for Transportation: Principles and Applications (Spatial Information Systems), by Harvey J. Miller, Shih-Lu

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Geographic Information Systems for Transportation: Principles and Applications (Spatial Information Systems), by Harvey J. Miller, Shih-Lu

GIS data and tools are revolutionizing transportation research and decision making, allowing transportation analysts and professionals to understand and solve complex transportation problems that were previously impossible. Here, Miller and Shaw present a comprehensive discussion of fundamental geographic science and the applications of these principles using GIS and other software tools. By providing thorough and accessible discussions of transportation analysis within a GIS environment, this volume fills a critical niche in GIS-T and GIS literature.

  • Sales Rank: #2217721 in Books
  • Published on: 2001-11-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.10" h x 1.20" w x 9.40" l, 1.89 pounds
  • Binding: Hardcover
  • 480 pages

Review

"From the preface on I found this book to be an informative and very worthwhile read. . . In particular, the authors have done an excellent job of not only portraying but also linking to common beginnings the breadth of applications to which GIS-T is now being put. . . A strength of the book is its coverage of this past work and the authors' ability to place this work in useful context. . . A pleasing aspect of the book is the way the authors have managed to relate specific topics in the earlier chapters on principles to these same topics within the last four applications chapters. . .Given its coverage, the book should also encourage new insights among those of us already immersed in GIS-T in one arena or another, as well provide as an excellent reference to a great deal of past work. Finally, Oxford University Press has done a good job on the production of the book, including presentation of the many equations and figures distributed throughout the text."-- Journal of Regional Science


About the Author
Harvey J. Miller is at University of Utah. Shih-Lung Shaw is at University of Tennessee.

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3 of 3 people found the following review helpful.
Comprehensive and thorough
By Jan Husdal
Having been a student with Harvey Miller probably makes my review somewhat biased. Nevertheless, this is an excellent book if you're a student or professional in the field of GIS and need to know how GIS can be applied in transportation, or vice versa, knowing tranportation, this book will tell you what GIS can do for you. Mind you, this is not for the fainthearted, this is solid academic work and presumes some academic knowlegde prior to reading this book. It is specked with references that are hard to get, and you are likely to spend more time in the library reading up on the bibliography than digesting the actual text. Still, if GIS-T is your line of research, you cannot avoid having this book. It is by far one of the most comprehensive I have seen. It is clear that the authors posess solid knowledge and have covered a wide field and left nothing out. It may have a rather inhibitive price; in hindsight it was well worth the money spent.

0 of 0 people found the following review helpful.
Five Stars
By Verrohonnica
Arrived with minor damage but still very good

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Minggu, 19 Januari 2014

[F713.Ebook] Fee Download Research Methods for English Language Teachers (Hodder Arnold Publication), by Jo McDonough, Steven McDonough

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Research Methods for English Language Teachers (Hodder Arnold Publication), by Jo McDonough, Steven McDonough

This book offers a lively introduction to the research methods and techniques available to English language teachers who wish to investigate aspects of their own practice. It covers qualitative and quantitative methodology and includes sections on observation, introspection, diary studies, experiments, interviews, questionnaires, numerical techniques and case study research.



Each method is illustrated with examples in language teaching contexts, and techniques of data collection and analysis are introduced. The authors focus particularly on research in the classroom, on tests, materials, the effects of innovations, and they discuss methods appropriate to research in various collaborative modes as well as by individuals. A key feature of the book is an introduction to the debate surrounding different approaches to research, with an evaluation of traditional research in relation to the paradigms associated with reflective practice and action research.



The book is ideal for teachers on initial training and post-experience courses, students on degree programmes in applied linguistics and TEFL and, of course, practising teachers with an interest in research methods in language teaching.

  • Sales Rank: #3139381 in Books
  • Published on: 1997-02-02
  • Released on: 1997-01-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.10" h x .80" w x 9.10" l, .90 pounds
  • Binding: Paperback
  • 272 pages

Review
A good and useful book.
The Linguist

About the Author
Steven McDonough is at both at University of Essex.

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Sabtu, 18 Januari 2014

[P647.Ebook] PDF Download Dropping the Dime (Miranda Vaughn Mysteries Book 2), by Ellie Ashe

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Dropping the Dime (Miranda Vaughn Mysteries Book 2), by Ellie Ashe

From USA Today bestselling author Ellie Ashe...

Miranda Vaughn was once falsely accused of stealing millions, and now she’s helping others who are facing criminal charges. While being an assistant to her former defense attorney isn’t Miranda’s dream job, she’s eager to prove herself, and her first task is a simple one—protect Kathryn, a shy CFO turned informant, and help her prove that a popular real estate developer is embezzling millions from his company. But what should be a straightforward assignment is deliciously complicated when Miranda is thrown together with FBI Agent Jake Barnes, the man who saved her life, broke her heart, and then disappeared.

Beneath the neatly plotted rows of new homes lurk dark secrets, bitter feuds and a whole lot of greed. Nothing is what it appears, even Miranda’s timid client, who is hiding secrets of her own. Despite her growing distrust of her client, Miranda must protect Kathryn from becoming the target of the FBI’s investigation and protect herself from the real thief—all while protecting her heart from the sexy FBI agent she can’t seem to resist.

Miranda Vaughn Mysteries:
Chasing the Dollar (book #1)
Dropping the Dime (book #2)
Chasing Tinsel (holiday short story)
One Red Cent (short story in the "Killer Beach Reads" collection)
Lucky Penny (book #3)

"An engaging read full of mystery and deception."
~ Fresh Fiction

"High stakes, high energy, and a highly humorous good time!"
~ Gemma Halliday, New York Times bestselling author

  • Sales Rank: #46476 in eBooks
  • Published on: 2015-04-01
  • Released on: 2015-04-01
  • Format: Kindle eBook

About the Author
Ellie Ashe has always been drawn to jobs where she can tell stories—journalist, lawyer, and now writer. Writing quirky romantic mysteries is how she gets the "happily ever after" that so often is lacking in her day job. When not writing, you can find her with her nose in a good book, watching far too much TV, or trying out new recipes on unsuspecting friends and family. She lives in Northern California with her husband and two cats, all of whom worry when she starts browsing the puppy listings on petfinder.com.

Most helpful customer reviews

7 of 7 people found the following review helpful.
Love Miranda Vaughn series
By Bookgyrl
I was eagerly awaiting this second Miranda Vaughn book! Just finished it and had to write a review.

As much as I loved Chasing the Dollar, I loved this one even more. The first book was filled with action sequences and danger all around (loved it!) and in this book MIranda is sleuthing in her hometown instead of Macau and other cities abroad. MIranda is working for the lawyer that helped her get acquitted in her high profile fraud trial and still living with her aunt Marie while bouncing back from everything that has happened.
She has not seen Jake Barnes, FBI agent and potential love interest from book 1, in six months.

Enter new client Kathryn, who is worried her boss in a company where she is the CFO is doing something illegal. The Feds have been informed and Kathryn is negotiating immunity for sharing information. One of the agents is Jake Barnes.
While Miranda's boss Rob is on holiday with aunt Marie, Miranda is trying to gather information and helping Kathryn to stay out of trouble. And then there is Quinn, a handsome cowboy and ex-client of Rob.

I enjoyed this book very much. The writing style is pleasant and flows while the plot is interesting and not too complicated. Ellie Ashe has a background in finance and that shows in her books. In Chasing the Dollar I sometimes had a bit of trouble following the plotline, but no such worries here in Dropping the Dime. I would have preferred a little more romance. I like Jake and Miranda together, but it is going really slow. But.... (spoiler warning) things are looking up for my favorite couple.

There was one thing that I thought was a bit stupid. I don't want to give away any spoilers, but searching for stuff without gloves???

In short: great addition to this series. I hope Ms Ashe will be writing fast!

4 of 4 people found the following review helpful.
Loved, love, loved it.
By Jeanie Jackson
Dropping a Dime is at least as good as Ashe’s Chasing the Dollar and I loved that one. Miranda has only seen Jake once in six months but she can’t forget about him. On the other hand, she doesn’t expect him to turn up in the newest case the law firm she works for has accepted. Things have been going well with her job as financial consultant to the lawyer who got her acquitted of federal fraud charges, but if things keep going the way they are on this case, she could end up in prison anyway. And there is a new guy in the picture and he is awesome.

Well paced, good mystery, great chemistry, some real twists, and wonderful writing.

8 of 10 people found the following review helpful.
Some will like it, I didn't
By William C. Mead
I enjoyed the first Miranda Vaughn mystery, but Dropping the Dime (Miranda Vaughn Mysteries Book 2) was too much for me.

The two biggest "too much's" were heroine problems. Miranda has a nose for trouble: she gets into it every time. Her rash moves would lead to prison or death in the real world. Fortunately, she is surrounded by people, both good and bad, who are roughly as incompetent as she is. Second, Miranda is surrounded by handsome, rugged males, and can't look at one without swooning. Are there women like this?

Speaking of women, the cast of females here comprises all kinds of beauties. I suppose it's just as well, since all those handsome males need partners.

The plot was a bit haphazard. There were plenty of twists and turns, but the effect was that of reminding one that the author is in charge. Similarly, the investigation was a bumbling trip from one misleading clue to another.

With a plot and characters like this, one might think the book would be funny. Alas, it failed to trigger my sense of humor (humor is in the eyes of the beholder). Perhaps it was a timing problem.

On the plus side, profanity is sparse and sexual content is minimal, aside from the continual drooling and blushing.

If you like a mixture of unbelievable romance and a simple (though opaque) mystery, you might like this book. I've found a few cozy mysteries that I consider much better than this one: "What's the worst that could happen" by Donald Westlake, "Death by digeridoo" by Barbara Venkataraman, and "Follow the money" by Fingers Murphy (plus a few others among my reviews).

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Kamis, 16 Januari 2014

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Subliminal Seduction; Ad Media's Manipulation of a Not So Innocent America., by Wilson Bryan Key

  • Sales Rank: #2082177 in Books
  • Published on: 1973-09
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 206 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Good Read
By MikeSaber
A great read that will open your mind to commercialism and television.

15 of 17 people found the following review helpful.
Oddly useful
By Ready
I learned how to relax, and gradually see "SEX" written in advertising. I was able to show other people how to see it.

Then one day I saw it written on a log, and later on a stone. This taught me something important about how the evidence of my own senses can be altered by social motivation, and gave me insight into cult behavior. Perhaps not what the author was trying to convey, but well worth the price of the book, in the end.

4 of 4 people found the following review helpful.
not so nice
By Glenna Macdonald
A very informative book,but not so nice to trick folk into buying things under a spell.If your product is worth buying then it will sell itself through word of mouth not putting someone under a distraction spell.It makes you wonder how many purchaces we have made that we wouldn`t have,this could be the reason for all the garage sales.Attics full of things and overflowing pantries.I am sorry the price is so high,more folk should read it so they could be aware and realize they have choices and buy, making wise decisions instead of like automatic robots.

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Minggu, 12 Januari 2014

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Caves Of God: The Monastic Environment of Byzantine Cappadocia (MIT Press), by Spiro Kostof

Cappadocia, a province in central Turkey, offers the traveler a startling rockscape whose cones, pleats, and folds conceal hundreds of monasteries and churches carved from the soft, porous "tuff" and used by Christian communities over nearly two millennia for shelter, burial, and sanctuary. This region in the Turkish hinterland is recognized as one of the centers of Byzantine mural painting. However, numerous hermitages, monasteries, and independent chapels dating from the seventh century onward reveal it also as one of the most concentrated areas of Eastern monasticism.

This book serves a double purpose: it provides a thorough and lucid introduction to the rockcut churches and monasteries and their painted decorations, while it critically examines current scholarship on the monastic environment of Byzantine Cappadocia -- particularly in regard to the architecture, which has been generally neglected by art historians.

Scooped out rather than constructed, this anonymous architecture has its own unique appeal. Kostof writes: "The Cappadocian carver-architect was not inhibited... by statics or the nature of materials. His structure stood, a monolith, before he started to work on it. And he could cut into this monolith quickly, effortlessly. It might take a single man about a month to carve out a large room of two to three thousand cubic feet. Loads and thrusts were negligible. One was free to try any structural symbol with little concern for structural safety. Cupolas could bubble from flat ceilings, or be placed over square bays by means of the most cavalier transition elemenis. No shape need be perfect: extemporaneous geometry is everywhere the rule. Wall lines sag, one half of an arch doesn't quite match the other, carefree deviations, here and there, mark the general outline of the building.

Following an account of the region, its environmental, political, and religious history, the author discusses in detail the building types and painting programs in the context of their creation--answering such questions as what was the nature of monasticism in Cappadocia, and who were the builders, the artists, their patrons? The author was born and educated in Turkey, and his personal knowledge of the monuments is a convincing factor in his handling of chronological and stylistic uncertainties. Throughout, Kostof's mind's eye never leaves the total environment, observing the inseparability of landscape, buildings, paintings, and the ritual that informs them.

  • Sales Rank: #4276234 in Books
  • Published on: 1978-11-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.90" h x .80" w x 8.40" l, 1.70 pounds
  • Binding: Paperback
  • 296 pages

Review

In Cappadocia, a bleak and relatively barren section of south central Turkey, nature has provided a moonscape environment replenished with a wild and at times bizarre array of rock formation. It was in this remote, forbidding area that Byzantine monks from approximately 500 through 1200 A.D. created a strange, unreal world of rock-cut hermitages, monasteries, and churches. Kostof's study is comprehensive. It presents a catalog of the major rock-cut buildings and then painstakingly examines their architectural styles and the numerous styles of mural paintings that cover many of their walls and ceilings... the book beautifully conjures up a sense and a feel for the place, its man-made artifacts, and the beliefs of the men who lived there. The excellent, very enjoyable text is supplemented by many... black-and-white plates, and revealing line drawings of plans, elevations, and cross sections.

(Library Journal)

A haunting book about a... remote architectural and topographical marvel. In a lunar, rocky region of central Turkey, visited by Saint Paul and converted early to Christianity, churches and monasteries were carved directly into the soft cliffs. The rockscape itself is eerie: there are photographs of strangely folded white hills and free-standing cone like formations eaten away by wind, with residues of harder rock perched on their summits like hats. The anonymous architecture hollowed out inside the slopes dates from the seventh century; itis fantastically resourceful in its response to a peculiar environment. In their chaste, no-nonsense design, MIT's books are consistently handsome, and this one is particularly so.

(Newsweek)

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  • Sales Rank: #376107 in Books
  • Published on: 1998-11-01
  • Original language: English
  • Number of items: 2
  • Dimensions: 10.26" h x 3.38" w x 7.34" l, 7.05 pounds
  • Binding: Hardcover
  • 2 pages

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97 of 98 people found the following review helpful.
This book holds the key to most chronic pain.
By Devin J. Starlanyl
The Triggger Point Manuals are the definitive texts on myofascial medicine. Myofascial medicine impacts every practitioner of medicine. At least half of the patients in any general practice have myofascial trigger points. This book should not be on your shelves--it should be in your hands! If doctors, nurse practitioners, dentists and physical therapists knew how this book could impact their practice and their patients' lives, the publishers would not be able to keep up with the demand for it. This book carefully explains the difference between fibromyalgia and myofascial pain syndrome, with new findings on the nature of trigger points. The trigger points of the upper body are explained, with their referral patterns, as well as why they can occur, and what to do about them. Every minute you spend with this book will be worth the time.

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Myofascial Pain and Dysfunction The Trigger Point Manual
By Ingeborg Van Wely
When I received this book as a present for passing my medical masseuse exams, I thought I received a "how to fix it" book.
These books are much more for they cover anatomy, innervation, function, testing, reasons behind the pain, differential diagnosis, corrective actions all in addition to Triggerpoint Treatment.
The 2 volumes are a must have in your library for daily reference and/or study. The illustrations are a welcome aid to oneself or for explanatory purposes to clients.

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A must-have for LMT's
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Kamis, 02 Januari 2014

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This book boldly ventures to cross some traditional academic boundaries, offering an original, philosophically informed argument regarding the nature of language by reading and interpreting the poetry of Wallace Stevens and the novels of Vladimir Nabokov. So it is a work both in literary criticism and in philosophy. The approach is strongly influenced by Walter Benjamin’s philosophy of language and Theodor Adorno’s aesthetic theory, but the philosophical thought of other philosophers—notably Plato, Kant, Hegel, Emerson, Heidegger, and Wittgenstein—figures significantly in the reading and interpretation. The essence of the argument is that, despite its damaged condition (standardization, commodification, staleness), language is, as such, by virtue of its very existence, the bearer of a utopian or messianic promise of happiness. Moreover, it is argued that, by reconciling the two senses of sense (sensuous sense and intelligible sense), showing the sheer power of words to create fictional worlds and destroy what they have just created, and redeeming the revelatory power of words—above all, the power to turn the familiar into something no longer familiar, something astonishing or perplexing—the two writers in this study sustain our hope for a world of reconciled antagonisms and contradictions, evoking in the way they freely play with the sounds and meanings of words, some intimations of a world—our world here, this very world, not some heavenly world—in which the promise of happiness would be fulfilled and redeemed. In the first part of the book, reflecting on the poetry of Stevens, Kleinberg-Levin argues that the poet defies the correspondence theory of truth to enable words to be faithful to truth as transformative and revelatory—what Heidegger calls “unconcealment”, translating the Greek. He also argues that in the pleasure we get from the sensuous play of words, there is an anticipation of the promise of happiness that challenges the theological doctrine of an otherworldly happiness and makes the religious experience seem like a paltry substitute. In the second part of the book, Kleinberg-Levin shows how Nabokov inherits Mallarmé’s conception of literature, causing with his word-plays the sudden reduction of the fictional world he has just so compellingly created to its necessary conditions of materiality: white paper, ink, print on the page. We thus see the novel as a work of fiction, as mere semblance; we see its conditions of possibility, created and destroyed before our very eyes. But the pleasure in seeing words doing this, and the pleasure in their sensuous materiality, are intimations of the promise of happiness that language bears. Using a Kantian definition of modernism, according to which a work is modernist if it reveals and questions the inherited assumptions about its necessary conditions of possibility, these studies show how and why both Stevens and Nabokov are exemplars of literary modernism.

  • Sales Rank: #3475944 in eBooks
  • Published on: 2012-08-31
  • Released on: 2013-02-27
  • Format: Kindle eBook

Review
Few if any philosophers have had the courage to engage the formal and conceptual difficulties of literary modernism, particularly its regulating idea that, as the poet Stèphane Mallarmé argued, language is made of words but not of the things we use words to produce: concepts, propositions, descriptions, and even expressions of feeling. Not that the literary work lacks such things, but the materiality of its language is irreducible to any of these discursive functions. On the contrary, as David Kleinberg-Levin makes clear in this remarkable book, the sensuous material of language is itself the medium of aesthetic experience as well as an experience of world-making that transforms our relation to how things are. He develops his arguments by way of careful critical readings of Wallace Stevens’s poetry and poetics and by close attention to the self-reflexive features of Vladimir Nabokov’s novels, in which developments of plot and character are always mediated by innovative wordplay and ironic comments on the forms and conventions of fiction-writing that Nabokov himself is employing. Kleinberg-Levin’s principal argument is that, contrary to a good deal of received opinion, the prominence of “sensuous materiality” in poetry and fiction is not a symptom of a decadent aestheticism but the fulfillment of a truly philosophical aesthetics: namely, the transfiguration of our everyday world into genuinely desirable forms of life. (Gerald L. Bruns, University of Notre Dame)

In this midst of our current troubled world, Kleinberg-Levin opens a hopeful path for us in explaining how language offers us the happiness of the transfiguration of the world that redeems, even when we have lost faith in other sources of redemption. It is even more hopeful in showing us how Wallace Stevens could find truth and transfiguration in the realm of the sensible and imaginal — a redemption faithful to the earth, as Nietzsche put it, and a more modest happiness than attempts at resolving our pain or transcending it. Nabokov, in Kleinberg-Levin’s account, playfully explores the possibilities of language to draw upon its own sensuous divinity in the materiality and density of its workings, again providing us with a resource for originating meaning, reconciling the intellectual and sensuous, and intensifying beauty. The poetry and prose examined is rich and engaging. You will feel uplifted by this book. (Glen A. Mazis, Professor of Humanities and Philosophy, Penn State Harrisburg)

About the Author
David Kleinberg-Levin is currently Professor Emeritus, Department of Philosophy, Northwestern University.

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[J249.Ebook] Download PDF Redeeming Words and the Promise of Happiness: A Critical Theory Approach to Wallace Stevens and Vladimir Nabokov, by David Kleinberg-Levin Doc

[J249.Ebook] Download PDF Redeeming Words and the Promise of Happiness: A Critical Theory Approach to Wallace Stevens and Vladimir Nabokov, by David Kleinberg-Levin Doc

[J249.Ebook] Download PDF Redeeming Words and the Promise of Happiness: A Critical Theory Approach to Wallace Stevens and Vladimir Nabokov, by David Kleinberg-Levin Doc
[J249.Ebook] Download PDF Redeeming Words and the Promise of Happiness: A Critical Theory Approach to Wallace Stevens and Vladimir Nabokov, by David Kleinberg-Levin Doc